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Veronica sees her self as a sensitive humanist, but clearly she’ll defend her son to the death compromise is not in her nature. Michael tries valiantly to be the conciliator, but the role is a tough fit for this self-made man. Alan, in the midst of defending a pharmaceutical company against a class action lawsuit, constantly barks orders and arrogant remarks into his cell phone, seemingly oblivious to his own rudeness. You can see the battle coming from the beginning. “God of Carnage” follows Reza’s “Art” in both structure and dramatic parabola: high-mindedness and civil behavior incrementally devolve into all-out war and, finally, post-apocalyptic silence.
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The couples have convened over coffee and Veronica’s clafouti to decide how to handle the matter. Alan and Annette’s son has struck Michael and Veronica’s boy with a stick, knocking out some teeth. What draws everyone to Michael and Veronica’s book-strewn New York home is a playground incident. She’s an author who’s obsessed with Africa and its many discontents. He’s a wholesaler with an encyclopedic knowledge of his inventory, particularly toilet fixtures. Pity they’re all punching well below their weight.ĭaniels and Davis play Alan and Annette he’s a lawyer, she’s in “wealth management.” They’re thrown together with a couple that would otherwise reside well outside their rarified orbit: Michael (Gandolfini) and Veronica (Harden). It’s a treat to see Jeff Daniels, Hope Davis, James Gandolfini and Marcia Gay Harden flex their considerable thespian muscles and battle their way through this 90-minute, intermission-free donnybrook.
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Like that show, “God of Carnage” leaves a slightly disappointing feeling after the bows: a surfeit of onstage talent milking a middling script for all it’s worth, and then some. In 1999, the New York cast of Reza’s “Art” – Alan Alda, Victor Garber and Alfred Molina – recreated their roles for an L.A. The whole thing seemed a little déja vu-ish to veterans of the local theater scene. It was worth getting there early just to spot Martin Sheen, Tony Shaloub and other familiar faces that turned up to see the original Broadway cast reprise their performances in Yasmina Reza’s Tony-winning comedy of bad manners. “God of Carnage” opened Wednesday at the Ahmanson Theatre surrounded by giddy anticipation and preceded by so many star sightings it felt like an Oscar telecast.